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So many of the things we do to our art and photos end up damaging them. For instance - how many of you are aware that there are NO colored matte boards that are truly acid free? It was news to me! |
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Quite true. Personally I go with this theory; If I have the original either film or digital, then the print is easily replaced. Most of the techniques above should be good for 25+ years. Doing it twice in a lifetime will always be a lot less expensive than going archival.
If we are talking about something like portraits that we want great, great,...great grand kids to see then the advice and also the cost would be very different. In the case of colour photo images it would start with only having the prints done immediately after the bleach fix has been changed, pulling the prints before they go through the dryer, extra clean water rinses and air dry at room temp. With most modern photo printers a couple of those steps are not even possible, and it is almost impossible to hand print a digital image, leaving film as the only alternative if true archival permanence is required.
Display also becomes an issue. Temperature, humidity, air pollution must all be carefully controlled. Additionally exposure to UV light must be kept to an absolute minimum. No sunlight, no florescent lights, and no CFBs.
NOTE: Some inkjet printers do claim archival permanence but results should be tested by placing a test image in a south window for a month. Any measurable fading and that image is not permanent. I tested one of the first Epson Printers which made this claim and it came up a bit short. Fading was slightly visible and easily measured. Ordinary inkjets failed miserably. Run of the mill photographic prints came very close to meeting that standard. If going the inkjet route be sure the paper base is acid free.